电影 O somma luce

O somma luce

影片信息

  • 片名:O somma luce
  • 状态:HD
  • 主演:Giorgio/Passerone/
  • 导演:让-马里·斯特劳布/
  • 年份:2010
  • 地区:法国
  • 类型:剧情/
  • 时长:内详
  • 上映:未知
  • 语言:其它
  • 更新:2023-09-01 23:48
  • 简介:  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
  • 关注公众号观影不迷路

  • 扫一扫用手机访问

 立即播放  主线

选择来源

  • 主线
  • 主线2
  • 主线3
网友评分
暂无评分
0次评分
网友评分
暂无评分
0次评分
给影片打分 《O somma luce》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

扫一扫用手机访问

首页 电影 剧情片 O somma luce

播放列表

 当前资源来源主线 - 在线播放,无需安装播放器
 倒序

下载列表

 倒序
全选迅雷批量下载 没有迅雷?点击下载 > 没有安装迅雷?点击这里下载最新版迅雷 >
下载帮助:tip提示信息

剧情简介

  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

为你推荐

 换一换
  • 正片
    正片
    2.2 Look/at/Me/看着我/Panopticon/
  • HD
    朴艺荣/李夏恩/金伊敬/朴钟焕/韩海印/
  • HD中字
    Saharat/Panyasart/Shivam/Pawa/ธีรภัทร/สุวรรณ์ดี/พงษ์นิรันดร์/กันตจินดา/Nubtung/Nunnapas/Radissirijiradech/พัชรา/วอหอ/
  • HD中字
    朱丽安·摩尔/西德尼·斯维尼/凯尔·麦克拉克伦/多姆纳尔·格里森/费奥纳·肖/瑞贝卡·克雷斯科夫/威尔·菲茨/艾德蒙·多诺文/奥黛丽·格蕾丝·马歇尔/Jared/Canfield/Merritt/Janson/卢西亚娜·凡德特/布莱恩·伯顿/基莎巴尔/Katya/Campbell/Taylor/Nicole/Kaplan/艾文·坎保/Stella/Chivee/Max/Ryan/Burach/Whidbey/
  • HD国语
    肖央/春夏/陈明昊/蒋奇明/王迅/王子川/赵梓冲/杨轶/李路琦/国义骞/郑磊/赵成哲/赵子琪/石凉/于明加/黄尧/任洛敏/陈玺旭/王圣迪/黄晓明/
  • HD中字
    桥本爱/中川大志/山田杏奈/根矢凉香/久保田纱友/平井亚门/吉冈睦雄/草野康太/臼田麻美/中村苍/能年玲奈/
  • HD
    9.0 Chasing/A/Shooting/Star/陨石江湖/
  • HD中字
    鲁克米尼·苏尔夫/埃朗·哈斯米/Zoya/Hussain/穆克什·迪瓦里/Lalit/Prabhakar/Satya/Prakash/Aeklavya/Tomer/Hanun/Bawra/Punit/Tiwari/Subodh/Gulati/罗基·雷纳/Abhay/Dheeraj/Singh/Deepak/Paramesh/
  • 正片
    10.0 科洛·塞维尼/亚历克斯·沃尔夫/西蒙·雷克斯/乔·阿波洛尼奥/阿马莉亚·乌尔曼/瓦莱里娅·洛伊丝/Guillermo/Jacubowicz/Camila/del/Campo/
  • HD
    4.0 原钻/未琢钻石/Wild/Diamond/浴火野钻(港)/

最新资讯

更多

评论

共 0 条评论