电影 欧洲的某个地方
首页 电影 剧情片 欧洲的某个地方
简介

欧洲的某个地方
网友评分
暂无评分
0次评分
给影片打分 《欧洲的某个地方》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

  • 关注公众号观影不迷路

  • 扫一扫用手机访问

影片信息

  • 欧洲的某个地方

  • 片名:欧洲的某个地方
  • 状态:DVD
  • 主演:Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
  • 导演:Radványi/Géza/
  • 年份:1948
  • 地区:其它
  • 类型:剧情/
  • 时长:内详
  • 上映:未知
  • 语言:其它
  • 更新:2023-09-01 22:12
  • 简介:  Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

下载列表

 倒序
全选迅雷批量下载 没有迅雷?点击下载 > 没有安装迅雷?点击这里下载最新版迅雷 >
下载帮助:tip提示信息

为你推荐

 换一换
  • 正片
    3.0 艾玛·麦基/薇姬·克里普斯/费奥纳·肖/文森特·佩雷斯/雅恩·盖尔/尤尔格斯·钱图拉斯/Korina/Gougouli/瓦斯利·特斯格里斯塔利斯/Paris/Thomopoulos/Electra/Sarri/Denia/Mimerini/Dimitris/Oikonomidis/Kostas/Tatarakis/
  • HD国语
    汤姆·希德勒斯顿/马克·哈米尔/凯伦·吉兰/切瓦特·埃加福/安娜丽丝·巴索/雅各布·特伦布莱/本杰明·帕杰克/科迪·弗拉纳根/凯特·西格尔/大卫·达斯马齐连/米娅·萨拉/马修·里沃德/哈维·吉兰/莫莉·奎恩/萨曼塔·斯洛扬/迈克尔·特鲁科/卡尔·鲁伯利/考莉安卡·基尔彻/拉胡尔·寇利/劳伦·拉维拉/维奥莱特·麦格劳/希瑟·兰根坎普/
  • HD
    比尔·帕克斯顿/马修·麦康纳/鲍沃斯·布斯/杰瑞米·桑普特/
  • HD中字
    珍娜·凯内尔/汉娜·艾琳/娜塔莎·哈勒维/迈克尔·宋·何/丹妮尔·普勒格/Ariel/Barber/
  • 正片
    Michael/J./Patterson/Suzanne/R./Neff/Fair/Rain/
  • HD
    巴哈兰·巴尼艾哈迈迪/Rojina/Esmaeili/丹妮埃尔·菲肖/Ila/Firouzabadi/Sobhan/Javadi/Sahar/Mofidi/Bahram/Nabatian/Dara/Najmabadi/Pirouz/Nemati/Hemela/Pourafzal/Nima/Pourtolami/马修·兰金/Ramin/S./Khanjani/Mani/Soleymanlou/Saba/Vahedyousefi/Nora/Zarkandi/
  • 抢先版
    2.0 睡狗/
  • HD
    彭裕恺/李星纬/徐若瑄/郑人硕/施名帅/魏蔓/江宏杰/
  • HD
    亚历克斯·鲁茨/蕾雅·德吕盖/诺拉·哈姆扎维/路易丝·舍维约特/
  • HD中字
    多格雷·斯科特/索菲亚·卡尔森/凯瑟琳·麦克马克/科里·迈尔彻/巴尼·哈里斯/哈里·特雷瓦尔德温/波佩·吉尔伯特/罗米娜·科卡/尼基尔·帕尔玛/休·科尔斯/Riz/Khan/Esmé/Kingdom/尼娅·迪肯/贝恩·科拉科/Emma/Jouannet/Georgia/North/Konstantinos/Kavakiotis/雅迪尔·费尔南德斯/Florence/Overton/Madelyn/Warner/

最新资讯

更多

评论

共 0 条评论